It was a balmy June evening in Manhattan. Such a lovely night, the kind of night that sweeps you up in it. A New York night. My best friend had just married her beloved in an old church we'd all arrived at in limousines earlier in the evening, all of us wearing the flowing silk of a single designer, Morgan LeFay, all the bridesmaids in navy blue, the bride in this soft flowing white. The sky a stunning blue as we entered the church and a starlit reflection of the city as we left the reception hall where every flower and crystal glass glistened with joy and delight. Magic. All the details: the tiny fairy lights in the brickwork of the walls, the scallops wrapped in bacon and pierced with toothpicks, arugula with a honeyed dressing I may never savor again so perfectly was it made. My friend had married rich, and this wedding did nothing to hide that fact.
The ceremony itself had been hell. Wearing four-inch copper heals to a party is one thing, wearing them to stand still through a series of soon-to-be-spouses reading Pablo Neruda poems to one another after an already lengthy merging of various religious traditions (he is Sepphardic, she more pagan than Episcopal but both lines were well represented). My feet burned, every bone screaming with every beautiful word of their never-ending vows.
"You walked so poised and elegantly, I thought you might be moving along on wheels," said the handsome writer-professor I was introduced to by a mutual friend. Newly fit with hearing aids, I had him repeat it, and then followed a challenging conversation in lip-reading. "Let's go somewhere where it's quieter," he suggested.
I love New York in short visits. I never considered living there, but every time I'd gone, my two nights of visiting had been these rolling unfoldings of wonderful conversation with new friends. I always felt the city had the power to welcome its visitors not only with bright lights and creative restaurants. For me, it had this mystical dimension. I'd have experiences there that were transformative as long as I went along with the paths it laid out for me. Following them, I'd been led to recording studios at three a.m. with talented artists and laid down tracks I didn't know I could sing so well. I'd been invited to house-sit a friend's friend's Chelsea penthouse for a week when I didn't have anything else to do. I'd sat next to music legends at concerts put on by other music legends. Each time I'd been to New York, magic had happened.
"That sounds great," I said, shouting over the music even though my new acquaintance had perfect hearing.
Here was New York being wonderful again.
He was an English Professor at an esteemed university. As an English teacher at a boarding school for teenage boys, I was delighted to be able to move beyond excerpts of great works and discuss entire novels, entire epochs. As a single mother of a four-year old, I was excited to be out in the world, awake after ten. We sat in a modern and very stylish concrete restaurant booth softened with brightly colored and intricately textured cushions. Tea lights simmered in arrangements of rice on tiny plates. In the alcove of our privacy we chatted on about books and teaching. We didn't touch. We didn't move closer. I drank a glass of wine, he too. It didn't feel like a romance. It felt like two friends-of-friends becoming friends on a beautiful June night in Manhattan.
"Why don't you come upstairs."
I hesitated in the taxi we'd shared. "I'm not interested in having sex." I was blunt.
"I'm not talking about sex. I just want to talk to you more," he said. "You're a single mother. I'm not a monster."
I saw the eyes of the driver in the rearview mirror. I don't know why I looked at them.
I didn't want the night to end either. I went up. We walked up the staircase, wooden, to the top floor. He had the penthouse, and past the kitchen and a small seating area he had a rooftop garden with a view of the harbor and the sky. A potted plant housed a geranium. A chaise lounge welcomed me into it as he handed me a glass of wine then sat in a chair facing. The conversation continued. He knew much more than I did about German literature. I knew much more about American and English poetry. There were gaps to fill.
When he left the garden and returned with more wine I declined. He then wiped his nose and asked if I wanted to do some drugs with him. This I also declined, but I noted he'd already partaken. I also felt a shift in the night. I said it was time for me to go. He moved closer, sat next to me on the chaise. He touched me. Kissed me. I declined this as well. It was just wasn't that kind of feeling for me. I wasn't romantically charged by him or our conversation. I liked the night. When I stood to go he persisted. He said the words that let me know I wasn't with someone I should be with:
"Come on. You're a bridesmaid. Of course you want to be f*****d."
All my life, I'd been blessed by the presence of gentlemen. I had once felt threatened on a train in Italy and had made an escape, but that was one night out of thousands of nights. I'd had men ask, and I'd declined. I myself had asked and been declined. I'd danced wildly on islands in Greece and been able to end an evening with a proper kiss. I'd roamed the world's cities with male companions who saw me safely home. This night, though, I had gone into the home of the very thing he'd said he wasn't. A monster. He argued with me. Pestered me. Blocked my attempt to leave. I set my priority: to make it to the post-wedding-day luncheon intact then home to see my daughter. I could have fought and punched and kicked, but he would have won, and I'd have been beaten. I could have run, but we'd climbed many flights and falling down them in an attempt to escape would have rendered me even more vulnerable. This way, I thought as I planned my acquiescence, I can pretend it did not happen and go back to life the way it was before I got out of the cab. I planned my own dissociation. I'm smart, I assured myself. My mind can get me through this. I even got him to wear a condom.
Looking back, I can see how my love for life and trust in the universe both created this situation and prepared me for my recovery from it. Recovery takes love and passion, vulnerability and trust. My approach to life had always been comprised of these; they are skills I'd learned and skills I now had to master.
The recovery process took years. I was wrong about my mind being able to handle "this." No matter how many books I'd read, how smart I was, this experience affected a part of me that I didn't know how to mend: my soul. How do you heal a soul? The answer I'd always had was poetry. Poetry had healed me all my life, yet in the wake of this event, I couldn't write for six months, nothing personal at least. I could write enough to keep my job as a school teacher: comments on student papers, emails to parents. When I turned the pen on myself though to open the story, to do what I knew I had to do in order to heal, the words were not there. I drew a lot—more than fifty charcoal drawings of that damned geranium in a flower pot on the edge of the penthouse railing. I drew darkness ceaselessly and found it comforting. Charcoal was my world. It was what I saw.
I devoted a zebra-print rug to my grieving. Lying on that rug, I gave myself permission to cry for however long I needed to when my daughter was at school or at my mother's. It was my weeping place. From there I launched my calls to Our Voice hotline counselors. I cried to them. I cried until I could tell. They never forced me to tell. Eventually I could tell. Our Voice was the only presence that would listen to my silence. This was the greatest gift.
I had needed to isolate the event for a time before I could even imagine it was part of the whole picture of my life. One crisis counselor worked with me for the first four months, and then I moved my broken spirit to my usual therapist's office. My therapist and I worked deeply and deftly. Weekly for months. I continued to teach my students and mother my child all while feeling my soul was separated from me, drifting, alienated, lost, alone. When my child slept, I turned to the page to write. I wrote anything; I even re-wrote things that already were written: psalms, prayers, the Dead Sea Scrolls. Every word seemed to be a stitch between me and what was missing, the rest of me, my very essence. Writing took the place of dreaming. Writing took the place of sleep. For two years.
If I kept writing, I assured myself, my soul would hear my words and return.
I found a worldview, with the help of my therapist, I could work with in Alchemy. It was the only worldview that allowed me to be entirely broken and entirely alien to myself while also providing a path for going deeper into the darkness as opposed to taking a short cut to light. It also connected to all the world's religions, something I also needed—all the gods, all the angels, all the prayers. I needed wholeness. After reading as many sacred texts I had awareness of, one afternoon I started to write my poems again. I drove my daughter to my mother's house and told her the poems had come. I wrote more than a hundred in three days, eating and sleeping minimally. That collection became my first book and led to a new job that opened the door to the wonderful job I have now: helping others write and find themselves.
There was a time I didn't think I'd ever be "me" again. I am very much myself, though. I have an even stronger love for the world and still welcome long conversations with new friends, male and female. The only thing that changed in the end is my daughter attended martial arts classes and can fight off a roomful of boys blindfolded.